To be honest, it sounds like an experiment gone wrong. Rahat’s upcoming UK tour is said to be like a theatre production that will be based around a theme and choreographed accordingly, so buckle up Britons for a rollercoaster musical ride.Ĭonsidering that he has a legacy to keep alive, the legacy of the 600-year-old Qawwal Bacche Gharana, which he has been doing with utmost sincerity and genuine talent till date, Rahat’s new solo album (that has come seven years after his last production Charkha) is a bit of a disappointment. ‘Shukriya Pakistan’ came as a relief from the plethora of sponsored songs that people had been subjected to in recent years.
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The song is a gesture of gratitude towards his country, his home and it was compounded by his presence at the Azadi Parade on August 14. The video features Pakistani stalwarts like Shahid Afridi, Shaan, and even our beloved World Street Football champions, among others. My fans always come first."Īs for localites, Rahat recently recorded an Independence Day special song, ‘Shukriya Pakistan’, with music by Sahir Ai Bagga. It is between them and me to go into a musical journey for that night and I make sure that I give my 100% even if I am performing with high fever. "At each concert it is the audience that I relate to," he reminisced. Music has no bounds and Rahat’s vocals have touched upon fans beyond India and Pakistan. When asked if he feels any difference between India and Pakistan when it comes to playback singing, he said: "There isn’t much difference as a song is a song, irrespective of where it comes from." Meanwhile, Rahat travels in and out of Pakistan, lending his powerful vocals to films like Dukhtar and Operation 021. I am not breaking away from my roots at all and am currently working on my latest qawwali album, Just Qawwali, which will most definitely leave you enchanted," he added. Hence, for qawwali traditionalists who look forward to his soulful odes, Rahat assures that "like every year has different seasons, I will have different albums. No matter how many borders this man may cross and different genres he experiments with, Rahat can never be separated from qawwali as the spirit of Sufism resides in his very soul. Whatever I may be today is only due to the Almighty, my ustad and my father and his popularity has in no way overshadowed mine," Rahat said. "Learning and grooming under him has been a blessing for me and something I will never want to over come. People may argue that Nusrat’s mastery and finesse is unbeatable no matter how skillfully Rahat reiterates his songs but Rahat cares less as he dare compete with the unforgettable legend who was far more than a teacher to him. "This enables me to showcase that I am not only about what is seen so far and the best is yet to come, Insha Allah."Ī protégé of qawwali maestro Ustad Nusrat Fateh Ali Khan, Rahat worked in the shadows of his uncle for almost two decades until he took center stage after Nusrat’s death. With his choc a bloc schedule it is almost impossible to catch him in Karachi. "The record company and my international managers wanted to prove that I am not only about one type or style of music and as many artists in this world evolve for the better, I have done the same," he spoke to Instep from Dubai. Having sung for over 70 Bollywood films and producing nearly 50 qawwali albums, Rahat recently took a slight detour, much to everybody’s surprise, and released a romantic pop album titled Back 2 Love, which in all honesty seems to be more like a Bappi Lahiri-inspired project.
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Rahat’s remarkable, hypnotizing voice caught the attention of filmmakers across border and the prolific singer embarked on a much-deserved journey to super stardom. Except that it may have grown to unprecedented heights. Not much has changed as far as Rahat Fateh Ali Khan’s fanfare is concerned.
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He effortlessly transitioned between film favourites like ‘Isq Risk’ and Nusrat Fateh Ali’s timeless classic ‘Allah Hoo.’ He knew how to keep his fans obsessed and as the night peaked to the customary dhamaal, the divide of people – obvious uptil now – began to blur and only his voice, pitched to its maximum, filled the entire stadium. Rahat Fateh Ali Khan knew how to strike a balance. This was and is the kind of reaction Rahat Fateh Ali Khan – Pakistan’s prince of qawwali – inspired.Įven with such a massive number of people present, a clear divide was evident – while his Indian fans sat on one end tapping their feet to some of his popular Bollywood melodies, the Pakistani enthusiasts – seated on the other side – swayed their heads enchanted by his magnetic, electrifying Sufi kalams. His entry set the arena on fire, triggering a ricochet of thunderous applause. As I entered the Manchester Arena back in 2012, I walked into the palpable hysteria of 15,000 avid fans.